The Oxymothastic Objectar

Nicola L. Hein – guitar


The Oxymothastic Objectar – the guitar as a tool of reflection about the question of a skeptic music, a skeptic form of improvisation. The imagined form of skepsis is one that has to be understood in terms of Gadamer’s dialogue rather than Deleuze’s body without organs, which would resolve music altogether. It is a self inquiring dialog of musical voices, which enjoy the practise of mutual undermining. Skepsis takes on many different forms, sometimes it is hard (with and edge), sometimes it is soft (without edge), sometimes it is sudden etc. The question of a skeptical improvisation has to be understood as a non-concludable endeavour (in order not to contradict itself).
Music has to be understood as self-accomplishing skepticism.

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